Music and Theology in Nineteenth-Century Britain
I have selected as my theme for the year 'The Church and Rites of Passage'. My major area of academic interest is Christianity in the West in the nineteenth and early twentieth centuries. Barry L. Ross N.
The Discipline of Theology in the Nineteenth Century – CRASSH
I have acted as a consultant on the development of higher education provision in Theology in the United Kingdom and Scandinavia. I am, or have been, a member of various editorial boards, including the Journal of Religious History and the newly formed Journal of Religious History, Literature and Culture.
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I will be on research leave in the second semester of from February until the end of July There are two particular areas in the history of modern Christianity in which I research and publish. The first is the history of the Church of England from the late eighteenth-century to the present. I have been active in this field for over 25 years, and have completed two relevant projects in The first is an article on the preaching culture at St Paul's cathedral in the eighteenth and nineteenth-centuries. This is due to appear very shortly in issue 3 of the new on-line journal Sermon Studies.
My second research interest is focused on the late-nineteenth century, and on the interactions between religion and culture during the time when the Victorian period gave way to the early-twentieth century. Tauris, , and I explain them further in the paragraph below. These include an active interest in social justice and the creation of new types of communities; increasingly open discussion of the sexual exploitation of children; debates about society's 'decadence'; new ideas about the role of women; and the belief in the redemptive powers of art, pioneered by figures as diverse as P.
I argue that the 'long s' was a decisive decade in which various sections of Christian opinion, both on the progressive and the more conservative wings of the faith, began to express views which set the tone for attitudes which would become commonplace in the twentieth century. I am currently working on a new study on the religious influences which shaped Ebenezer Howard, the founder of the garden city movement. Largely unrelated to the above, but exploring the theme of differing ecclesiastical cultures in relation to the most inevitable of the rites of passage, death and funerals, I have published an article exploring the recent history of cremation: 'Cremation and Christianity: English Anglican and Roman Catholic attitudes to cremation since '.
Lester Young was one of the great jazz masters, and his impact on the course of the art form was profound. View Product. Brian Eno's Ambient 1: Music for Airports. Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art.
Author John T. Lysaker situates this album in This brilliant little book is clear, lucid, and easy to read. It is packed with It is packed with fascinating information that I didn't know, and I suspect most people don't know either.
I shall give it to lots of friends. These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage.
I Can Read Music is designed as a first note-reading book for students of string instruments who The Music of Berlioz.
This is the first full-length musical study of Berlioz to take into account the rediscovered This is the first full-length musical study of Berlioz to take into account the rediscovered Messe solennelle. Julian Rushton discusses all aspects of his work, without undue emphasis on a few more popular pieces. A new title in Ashgate's Music in cation lives up to the series' interdiscipli-Nineteenth-Century Britain series, this publinary ambitions by presenting eleven essays by thirteen authors working in a wide range of fields, including historical musicology, theology, hymnology, English literature, communications media, and church music history.
The result is an eclectic collection of essays that explores topics as diverse as the changing repertory of the Anglican choral anthem, the role of British hymnody in the colonization of Madagascar, and the impact of Darwinian thought on nineteenth-century theories about music's spiritual basis. The topics examined and approaches taken are as varied as the authors involved, and while this leads to a certain unsteadiness of method and approach, the richness and novelty of the contributions make the book well worth it.
Not that everything here is new.
The "relationship between music and theology" may well be a "burgeoning" subject, as the editor Martin Clarke asserts p. A number of contributors are, in fact, well-known writers on hymnody and congregational song; their essays trace Familiar themes while still offering Fresh insights and perspectives. Mel Wilhoit's discussion of American gospel hymnody ably recounts the story of Ira David Sankey and Dwight Lyman Moody's impact on British evangelicalism in the s and s while also examining them within the context of nineteenth-century revivalism in general.
He suggests that the general softening of hard-line Calvinism during the period, the shift towards a more reassuring and sentimental theology, had much to do with their success.